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supported by 5 fans who also own “Legacy”
I freakin' LOVE this song. The bass synth you use, and the way you use it is amazing. It makes me want to run, jump, dance, workout, and generally just move and bounce my head. So good! The album overall is great, too!
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supported by 4 fans who also own “Legacy”
I don't know why the club mix is longer and has more virtuoso flairs. this remains the last serious effort for a full fledged banger track after all these years, and this whole direction seriously need revisit/rewerk, not taking away what's achieved on the later works. what i mean is it veers from casual to extreme tryhard,playful to somber which is kinda confusing. the tonality should be consistent..maybe I no longer get some aspect of the older overwerk, maybe I never truly understood
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supported by 4 fans who also own “Legacy”
I can't currently find the words, but I really LOVE the album. I've been listening to your music for a while and it has fueled my creativity throughout the years. Thank you for continuing to make such wonderful music.
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Expansive, turbulent electronic music from Reid Willis that imagines the cycles of “creation & destruction, beauty & violence.”
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Into the Shadow
by Slowly Rolling Camera
A rich and vivid meal for your ears, made by jazz heads with hip-hop sensibility and pinches of soul, blues, and gospel.
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Brisbane's Sampology levels up his game, recording most of the material he samples on this elegantly layered electronic LP himself.
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supported by 4 fans who also own “Legacy”
This is amazing. I only knew Toccata as I'd listen to it through uni. Now, I think the other songs on the EP deserve fame. There's something so classical and grand about OVERWERK. It is grand and beautiful.
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